Foresight Directory

Ana Tiquia

Individual Australia, Oceania

For over a decade Ana has worked across the arts, design, and technology in the UK and Australia. Her practice is transdisciplinary and includes curation, producing, art making and performance, foresight and future strategy. As a producer and curator, Ana has worked with leading cultural organisations such as Somerset House, the Barbican, Melbourne Museum and London’s Philharmonia Orchestra to produce digitally-driven exhibitions, installations, and interactive projects. She has worked across a number of design practices spanning service and strategic design, visual communications design, and interactive design as a strategist, account director, producer, and business development lead. She has practiced foresight and future strategy with public and private sector organisations at a variety of scales. Ana speaks regularly on futures of arts, technology, and the museum sector, and chaired international conference on the future of museums, MuseumNext in Australia (2018-19). All Tomorrow’s Futures was born out of the desire to devise radically inclusive and participatory ways to host conversations on our shared futures, and to bring artistic practice and future strategy into dialogue. For her work championing arts-based futures and foresight practice Ana has received several international awards and recognitions. She is a Next Generation Foresight Practitioner Fellow, her Masters’ research received an international student recognition award from the Association of Professional Futurists (2020) and she is the recipient of RMIT University’s PhD Scholarship in Creative Practices for Transformational Futures. Ana holds a BA in Fine Arts, a Master in Strategic Foresight, and is a 2022 Fellow at the State Library of Victoria, researching post-work futures. All Tomorrow’s Futures is committed to antiracist and decolonial futures practices, and we recognise the diversity of futures work carried out by Indigenous peoples, those in the majority world, and those from the margins. We particularly acknowledge the continuous and ongoing work of the Wurundjeri Woi Wurrung people of the Kulin Nation whose unceded lands we work upon, and whose practices of futurity and care have sustained multiple lifeways and culture for tens of thousands of years.

Operating in:
Australia

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